Director, cinematography by Solane Mercier

C'est donc là que les oiseaux se cachent pour mourir

A house in the process of being demolished, a couple in perdition, two facets of the same reality: what can we do when faced with the irremediable evidence of the destruction of a part of our lives? Here, the demolition of an old house becomes the pretext for an exploration of the complexity of the break-up of love, in the tension between renunciation and acceptance.